Here’s a selection – thank you for using Fools Are Everywhere in your research – keep me posted of any new work!

• Alpalhão, Margarida,
 Carlos Clamote Carreto & Isabel de Barros Dias, eds., O Jogo do Mundo (IELT – Instituto de Estudos de Literatura e Tradição, 2017).
• Anderson, Alistair R., and Lorraine Warren, ‘The entrepreneur as hero and jester: Enacting the entrepreneurial discourse’, International Small Business Journal, 29:6 (2011), pp. 589-609.
• Andrews, Susan Patricia, ‘Representing Mount Wutai’s Past: A Study of Chinese and Japanese Miracle Tales about the Five Terrace Mountain’, PhD thesis, Columbia University, 2013.
• Anzaldua, Saraliza, ‘Clowning Around: Monstrous politics and the “Creepy Clown” phenomenon of 2016’, paper presented at the R.A.W. Conference 2017, University of Texas, Dallas.
• Babula, William, ‘Shakespeare and His Actors: An essay on clowns, fools, tragedians, and women, and the men and boys who played them’, Journal of the Wooden O Symposium, 8, pp. 1-10.
• Baccini, Giulia, ‘Approaching Jokes and Jestbooks in Pre-modern China’, in The Palgrave Book of Humour, History, and Methodology, Daniel Derrin and Hannah Burrows, eds. (Cham: Palgrave Macmillan, 2020), pp. 201-20.
• Barilan, Yechiel, ‘The story of the body and the story of the person: towards an ethics of representing human bodies and body-parts’, Department of Internal Medicine B, Meir Hospital, Kfar Saba, Israel, Medicine Health Care and Philosophy, 8:2 (Feb 2005), pp. 193-205.
• Bartlett, Barbara, ‘“The Lord That Counseled Thee to Give Away thy Land”: The wardship controversy in the First Quarto version of King Lear’, M.A. thesis, University of Oklahoma, 2019.
• Bateson, Paul Patrick Gordon, and Paul Martin, Play, playfulness, creativity and innovation (Cambridge University Press, 2013).
• Beare, Zachary, ‘Softies Like Me: The foolish work of fat queer pedagogy’, Writing on the Edge, 29:1 (2018), pp. 78-90.
• Belanger, Jillian, Speaking Truth to Power: Stand-Up Comedians as Sophists, Jesters, Public Intellectuals and Activists (University of Rhode Island, 2017).
• Bell, Robert Huntley, Shakespeare’s great stage of fools (New York: Palgrave Macmillan, 2011).
• Beloff, Laura, ‘Ludic Mode: Irony and wearable devices’, in Homo Ludens Ludens (LABoral: Centro de Arte y Creacion Industrial, 2008).
• Beloff, Laura, ‘The Hybronaut and the Umwelt: Wearable technology as artistic strategy’, Ph.D thesis, University of Plymouth, 2013.
• Bennaa, Youcef, ‘Feminism’s last frontier in the quest for social theory: American stand-up in the age of political correctness’, Arab World English Journal, 4:3 (August 2020), pp. 34-45.
• Beuving, Joost, ‘The anthropologist as jester, anthropology as jest?’, Social Anthropology / Anthropologie Sociale, 25:3 (2017), pp. 353-63.
• Bevis, Matthew, Wordsworth’s Fun (Chicago: University of Chicago Press, 2019).
• Biryukova, Marina, in Russian: ‘Ludic aspects in Russian religious-philosophical literature at the turn of the 20th century’, Russian Literature, 90 (2017), pp. 45-82.
• Bjorn, Pernille and Valeria Borsotti, ‘Humor and Stereotypes in Computing: An Equity-focused Approach to Institutional Accountability’, Computer Supported Cooperative Work (CSCW), July 2022.
• Bloemendal, Jan; Arjan van Dixhoorn & Elsa Strietman (eds), Literary Cultures and Public Opinion in the Low Countries, 1450–1650 (Leiden: Brill, 2011).
• Bois, Christian, ‘Learning about Sancho Panza and foreign cousins: A case for introducing the future of e-learning within the semantic web’, Proceedings of the 2002 EDEN Annual Conference, Granada, Spain (16-19 June 2002), pp. 340-345.
• Borbely, Stefan, Mitologie Generala (Cluj: Editura Limes, 2004).
• Bordeaux, Joel, The Mythic King: Raja Krishnacandra and early modern Bengal, Ph.D thesis, Columbia University, 2015.
• Brown, Pamela Allen, Better a Shrew than a Sheep: Women, Drama, and the Culture of Jest in Early Modern England (Ithaca: Cornell University Press, 2003).
• Bruner, M. Lane, Rhetorical unconsciousness and political psychoanalysis (University of South Carolina Press, 2019).
• Burgess, Sarah, ‘Rhetoric: A Fool’s Profession?’, University of South Carolina Conference on Rhetorical Theory, no date.
• Callahan, William A., ‘Citizen Ai: Warrior, Jester, and Middleman’, The Journal of Asian Studies, 73:4 (2014), pp. 899-920.
• Campbell, Charles and Johan H. Cilliers, Preaching Fools: The Gospel as a Rhetoric of Folly (Waco: Baylor University Press, 2012).
• Campbell, Charles, ‘Principalities, Powers, and Fools: Does preaching make an ethical difference’, paper delivered at the 8th international conference of Societas Homiletica, Copenhagen, Denmark (19-25 July 2008).
• Campbell, Stephen J. ed., Artists at Court: Image-making and Identity 1300-1550 (Boston: Isabella Stewart Gardner Museum, 2015).
• Castro, Raul, ‘En¡Asu Mare!: Rituales de clase y distincion en el nuevo cine de entretenimiento Peruano’, Cuaderno de Trabajo, 39 (March 2017), Pontificia Universidad Católica del Perú, Departamento de Ciencias Sociales.
• Cheinman, Ksenia, ‘Reading Nathalie Sarraute through the lens of Jean Baudrillard: challenging consumers and clichés’, M.A. thesis, University of British Columbia, 2009.
• Chen, Khin-Wee, ‘”Sarcasm might be entertaining but it doesn’t solve our national problems”: What happens when a Malaysian politican plays the fool?’, Journal of the Oriental Society of Australia, 48 (2016), pp. 142-66.
• Chey, Jocelyn, & Jessica Milner Davis (eds), Humour in Chinese Life and Letters: Classical and Traditional Approaches (Hong Kong: Hong Kong University Press, 2011).
• Chey, Jocelyn, & Jessica Milner Davis (eds), Humour in Chinese Life and Culture: Resistance and Control in Modern Times (Hong Kong: Hong Kong University Press, 2013).
• Chłopicki, Władysław, and Dorota Brzozowska, ‘Polish highlander jokes and their targets’, The European Journal of Humour Research, 5:4 (2017), pp. 67-84.
• Chriss, James, ‘Georg Simmel’s Social Geometry’, Department of Criminology, Anthropology, and Sociology, Cleveland State University (2017).
• Clark, Timothy, & Iain Mangham, ‘Stripping to the Undercoat: A review and reflections on a piece of organization theatre’, Organization Studies, 25:5 (2004).
• Classen, Albrecht, Deutsche Schwankliteratur des 16. Jahrhunderts: Studien zu Martin Montanus, Hans Wilhelm Kirchhof und Michael Lindener (Tucson: University of Arizona, 2008).
• Clegg, S. R., Cunha, M. P. E., Rego, A., & Berti, M., ‘Speaking truth to power: The academic as jester stimulating management learning’, Management Learning (September 2021).
• Clewis, Robert R., Kant’s Humorous Writings: An Illustrated Guide (Bloomsbury Publishing, 2020).
• Coachman, E. de F., ‘”O worthy fool: motley is the only wear”: os atores cômicos do palco shakespeariano’, Cadernos de Pós -Graduação em Letras, 21:1 (2021), pp. 184-96.
• Comer, Debra R. & Michael Schwartz, ‘The problem of humiliation in peer review’, Ethics and Education, 9:2 (May 2014), pp. 141-56.
• Cook-Greuter, Susanne, ‘The Construct-Aware Stage of Ego Development and its Relationship to the Fool Archetype’, Integral Review, 14:1 (August 2018).
• Correa, Felipe Botelho, ‘Zé Povos e Pierrots: Estratégias visuais nas revistas populares ilustradas no Brasil no inicio do século XX’, Revista Iberoamericana, 85:267 (April-June 2019), pp. 497-513.
• Crowl, Samuel, ‘Lear’s Fool on Film: Peter Brook, Grigori Kozintsev, Akira Kurosawa’, in Victoria Bladen, Sarah Hatchuel, Nathalie Vienne-Guerrin (eds), Shakespeare on Screen: King Lear (Cambridge: Cambridge University Press, 2019), pp. 33-49.
• Cunha, M. P. E., Rego, A., Clegg, S. R., & Berti, M., Paradoxes of Power and Leadership (London: Routledge, 2021).
• Cuthbertson, Thomas, ‘The fool’s replies: Towards a poetics of folly in Shakespeare’s comedies’, Ph.D. thesis, Department of English, Indiana University, 2014.
• Dajani, Deena (2015) ‘Foolish Citizens,’ in Engin Isin (eds), Citizenship after Orientalism (London: Palgrave Macmillan, 2015), pp 237-262.
• Danesi, Marcel, Popular culture: Introductory perspectives (Rowman & Littlefield, 2018).
• Danesi, M., ‘Spectacle-Power: Why we hate to love and love to hate pop culture’, in X-Rated! (New York: Palgrave Macmillan, 2009), pp. 141-63.
• Danielson, Magnus & Torbjörn Rolandsson, ‘Politicians as entertainers: A political performance of the personal, Continuum Journal of Media & Cultural Studies, 34:6 (July 2020).
• Davis, Jennifer J., Bad Subjects: Libertine Lives in the French Atlantic, 1619-1814 (University of Nebraska Press, 2023).
• Dekker, Sidney, Drift into failure: From hunting broken components to understanding complex systems (CRC Press, 2016).
• Déry, Catherine, ‘Art, Internet et dissidence en Chine: le cas d’Ai Weiwei’, M.A. thesis, University of Montreal, 2018.
• Dickason, Kathryn, ‘From Satanic Minister to Holy Model: The Sacralization of the Medieval Jongleur’, Journal of the American Academy of Religion (2023).
• Doebler, Peter L., ‘Bibliography for the Holy Fool in Religion and the Arts’, Academia.edu.
• Donian, Jennalee, Taking Comedy Seriously: Stand-up’s Dissident Potential in Mass Culture (Rowman & Littlefield, 2018).
• Dudithius, And­re­as (1533-89), Epistulae: 1581-1589, Nicolaus Szymanski and Ida Radziejowska, eds. (Budapest: Reciti, 2019), vol. 7.
• Elias, Hajni, ‘Laughter and Lamentation: Eastern Han Dynasty (AD 25-220) “Spirit” Entertainers from Sichuan, China’, Arts of Asia, Spring 2023, pp. 97-108.
• Equestri, Alice, Literature and intellectual disability in early modern England: folly, law and medicine, 1500-1640 (Routledge, 2021).
• Equestri, Alice, ‘Wandering Fools and Foolish Vagrants: Folly on the Road in Early Modern English Culture’, in Reading the Road, from Shakespeare’s Crossways to Bunyan’s Highways, Lisa Hopkins and Bill Angus, eds., (Edinburgh University Press, 2020), pp. 127-.
• Equestri, Alice, Armine… thou art a foole and knaue: The Fool of Shakespeare’s Romances (Rome: Carocci Editore, 2016).
• Euchner, Jim, ‘The Corporate Jester’, Research-Technology Management, 63:1 (2020), pp. 10-11.
• Ezgi Dikici, Ayşe, Imperfect Bodies, Perfect Companions? Dwarfs and Mutes at the Ottoman Court in the Sixteenth and Seventeenth Centuries, M.A. thesis, Sabancı University, 2006.
• Fellion, David Matthew, ‘Wise folly in the British realist novel’, Ph.D thesis, Cornell University, 2012.
• Foss, Karen A. & Sonja K. Foss, ‘An Explication of Visual Enactment in Advanced Style: Fashioning a challenge to the ideology of old age’, Western Journal of Communication, 84:2 (August 2019), pp. 1-25.
• Frankenburg, Ronnie, ‘Role of ethnographic argument in the prediction and / or creation of social futures’, Twenty-First Century Society, 3:2 (June 2008), pp. 175-85.
• Frankham, Jo, ‘Employability and higher education: the follies of the ‘Productivity Challenge’in the Teaching Excellence Framework’, Journal of Education Policy, 32:5 (2017), pp. 628-641.
• Frost, Anthony, and Ralph Yarrow, Improvisation in drama, theatre and performance: History, practice, theory (Bloomsbury Publishing, 2015).
• Galambos, Imre, Dunhuang Manuscript Culture: End of the first millennium (De Gruyter, 2020).
• Gallant, Christine, Keats and romantic celticism (Palgrave Macmillan, 2005).
• Gao Zhipeng & Katherine Bischoping, ‘The Communist hero and the April Fool’s joke: The cultural politics of authentication and fakery’, Social Anthropology, 27:3 (August 2019), pp. 438-54.
• Geethanadani, Kasi, & Rajkumar, S., ‘”Better a Witty fool than a foolish wit” – Who are these Fools?’, International Journal of Social Science and Human Research, 4:8 (August 2021), pp. 2194-97.
• Ghadessi, Touba, Portraits of human monsters in the Renaissance: dwarves, hirsutes, and castrati as idealized anatomical anomalies (Bristol, CT: Medieval Institute Publications, 2018).
• Goldberg, Amos, ‘A Fool or a Prophet: Rubinstein the Warsaw Ghetto Jester‘, The 2019 J. B. and Maurice C. Shapiro Annual Lecture at the United States Holocaust Memorial Museum, 13 March 2019.
• Goldstein, Carl, Print Culture in Early Modern France: Abraham Bosse and the Purposes of Print (Cambridge University Press, 2012).
• Gommans, Jos, ‘Cosmopolitanism and Imagination in Nayaka South India: Decoding the Brooklyn Kalamkari‘, Archives of Asian Art, 70:1 (April 2020), pp. 1–21.
• Goodey, Christopher, A History of Intelligence and ‘Intellectual Disability’: The shaping of psychology in early modern Europe (Farnham: Ashgate Publishing, 2011).
• Göpfert, Mirco, ‘On Dictators and Clowns’, Anthropology Today, 38:3 (June 2022), pp. 22-24.
• Goto, Courtney T., The Grace of Playing: Pedagogies for Leaning into God’s New Creation (Wipf and Stock Publishers, 2016).
• Goto, Courtney T., ‘Teaching love: Embodying prophetic imagination through clowning’, Religious Education, 111:4 (2016), pp. 398-414.
• Graham, Seth Benedict, A Cultural Analysis of the Russo-Soviet Anekdot, Ph.D thesis, University of Pittsburgh, 2003.
• Grau, Marion, ‘Fool’s Errand: Holy fools and divine folly as hermeneutical figures’, in Refiguring Theological Hermeneutics (New York: Palgrave Macmillan, 2014), pp. 143-162.
• Gregoli, Roberta, ‘Representations of gender and sexuality in Brazilian popular cinema’, Ph.D thesis, University of Oxford, 2013
• Griffiths, Morwenna & Michael Adrian Peters, ‘”I knew Jean-Paul Sartre”: Philosophy of education as comedy’, Educational Philosophy and Theory, 46:2 (October 2012), pp. 132-47.
• Gril, Johan, The Colbert Report: Between irony and journalism, a criticism of the US mainstream media and political institutions, M.A. thesis, Science Po Toulouse, 2017.
• Hall, Sam, Shakespeare’s Folly: Philosophy, Humanism, Critical Theory (Routledge, 2016).
• Hammer, Danielle Loree, ‘A Changing Home: Displaced trauma, madness, and the specter of nation in new Irish literature’, dissertation.
• Hammett, David, Laura S. Martin & Izuu Nwankwọ, Humour and Politics in Africa (Bristol: Bristol University Press, 2023)
• Harris, James C., ‘Jester with a Lute’, Arch Gen Psychiatry, 68:4 (2011), pp. 338.
• Heetderks, Angela, ‘Witty Fools and Foolish Wits: Performing cognitive disability in English literature, c. 1380-c. 1602’, Ph.D thesis, University of Michigan, 2014.
• Henriksen, Helle Zinner, Tom McMaster & David Wastell, ‘Fooling Around: The corporate jester as an effective change agent for technological innovation’, in R.L. Baskerville, L. Mathiassen, J. Pries-Heje, J.I DeGross eds., Business Agility and Information Technology Diffusion (Boston: Springer, 2005, pp. 129-44.
• Hetherington, Anna Ratner, ‘Bruegel’s Fools and Melancholics’, in ‘Melancholy Figures: From Bosch to Titian’, Ph.D thesis, Columbia University, 2013, pp. 128-73.
• Heywood, Russell G., ‘Autoethnography for Extraterrestrials’, Journal of Autoethnography, 1:2 (May 2020), pp. 175-85.
• Hietalahti, J., ‘Carl Jung and the Role of Shadow and Trickster in Political Humor: Social Philosophical Analysis’, in C. P. Martins, ed., Comedy for Dinner and Other Dishes (Instituto de Estudos Filosóficos, 2019), pp. 20-41.
• Hiscock, Andrew, and Lina Perkins Wilder, eds., The Routledge Handbook of Shakespeare and Memory (Routledge, 2017).
• Hjorth, Daniel, and Chris Steyaert, ‘Moving entrepreneurship: an incipiency’, in The Politics and Aesthetics of Entrepreneurship: A Fourth Movements in Entrepreneurship Book (2010), pp. 221-.
• Hyde, Gillian, ‘Influential partnerships: A possible role for a modern-day court jester’, in P. Garrard eds., The Leadership Hubris Epidemic (Palgrave Macmillan, 2018), pp. 179-92.
• Iuga, Anamaria, & Georgiana Vlahbei, ‘The Mute: Ritual and Transgressive Meanings of the Masked Character in the Romanian Căluş Ritual’, Folklore, 87 (December 2022), pp. 37-72.
• Izzo, Gianni, ‘Playing the fool: jesters of the Safavid and Zand courts’, Bulletin of the School of Oriental and African Studies (August 2023), pp. 1-15.
• Jandric, Petar, ‘Academic Community in Transition: Critical liberatory praxis in the network society’, in Tomayess Issa & others eds., Information Systems and Technology for Organizations in a Networked Society (IGI Global, 2013), pp. 88-106.
• Jangir, Rajpal, ‘Tracing the Tradition of Comic and Constructive Criticism by Jesters in Imperial Courts of India’, Dialog: Journal of the Department of English and Cultural Studies, Panjab University, 36 (Autumn 2020).
• Jerónimo, Nuno A. & José Carlos Alexandre, ‘O feitiço do tempo da comédia’, Comunicação e Sociedade, 35 (June 2019), pp. 61-76.
• Jerónimo, Nuno A. & José Carlos Alexandre, ‘Comedy’s time spell’, Comunicação e Sociedade, 35 (June 2019), pp. 77-91.
• Jerónimo, Nuno A., José Carlos Alexandre, & A. Tamulevičiūtė -Šekštelienė, ‘O riso infeccioso da pestilência: a comédia em tempos de pandemia’ (‘The infectious laughter of pestilence: comedy in times of pandemic’), in B. Reis, Um mundo de incertezas: as leituras possíveis de um tempo pandémico (Lisboa: NIP-C@M & UAL, 2021), pp. 185-214.
• Johnson, Laurie, ‘Borrowed Robes and Garbled Transmissions: Echoes of Shakespeare’s dwarfish thief’, TEXT Special Issue 36: Shakespeare 400 (October 2016).
• Kadar, Daniel Z., Fengguang Liu, Juliane House & Wenrui Shi, ‘Reporting ritual political advice in the Chinese state media: A study of the National People’s Congress’, Discourse, Context & Media, 35 (June 2020).
• Kavanagh, Donncha, ‘Institutional Heterogeneity and Change: The University as Fool’, Organization 16:4 (2009), pp. 575-95.
• Kelly, Benjamin and A. Hug, eds., The Roman Emperor and his Court c. 30 BC–c. AD 300 (Cambridge: Cambridge University Press, 2022).
• Khatir, Mohammad, ‘The political potential of humour in graphic design’, M.A. thesis, Aalto University, 2018.
• Kim-Cragg, HyeRan, Postcolonial preaching: creating a ripple effect (Lexington Books, 2021).
• Kitts, Thomas M., and Nick Baxter-Moore, eds., The Routledge companion to popular music and humor (Routledge, 2019).
• Koenig, Anne Morgan, ‘”Robbed of their Minds”: Madness, Medicine and Society in Southeastern Germany from 1350 to 1500’, PhD thesis, Northwestern University, 2013.
• Kogman-Appel, Katrin, ‘Pictorial Messages in Mediaeval Illuminated Hebrew Books: Some Methodological Considerations’, in Irina Wandrey, ed., Jewish Manuscript Cultures: New Perspectives (Berlin: de Gruyter, 2017), pp. 443-468.
• Komissarova U.A., ‘Kompleks trikstera v romane ”Master i Margarita” A. Bulgakova’ [Trickster’s complex in Master and Margarita by Mikhail Bulgakov], Kul’tura i tsivilizatsiya [Culture and Сivilization], 7:1А (2017), pp. 225-232.
• Konarska-Zimnicka, Sylwia, ‘Ugly Jester – Funny Jester? The Question of the Comic Nature of Ugliness in the Middle Ages and Renaissance’, Holy Cross University Periodical Publications, English Philology Series, 4:29 (2012), pp. 125-34.
• Kopelent Rehak, Jana and Susanna Trnka, eds., The Politics of Joking: Anthropological Engagements (Routledge, 2018).
• Krajewski, Bruce, ‘Terminal Stupidity’, in Trump Fiction: Essays on Donald Trump in Literature, Film, and Television, Stephen Hock, ed., (2019).
• Kubies, Grzegorz, ‘Lust and music in The Seven Deadly Sins and the Four Last Things at the Museo Nacional del Prado in Madrid’, De Arte, 21 (2022), pp. 9-28.
• Land, Ray, and Siân Bayne, Digital difference (Sense Publishers, 2011).
• Landfester, Ulrike, ‘The Invisible Fool: Botho Strauss’s Postmodern Metadrama and the History of Theatrical Reality’, in The Play within the Play: The Performance of Meta-Theatre and Self-Reflection, Gerhard Fischer and Bernhard Greiner eds. (Brill, 2007), pp. 129-42.
• Lane, Julia & Linda Mancini, ‘Editorial: The clowns are here’, CTR (2020).
• Lane, Julia Helen, ‘Impossibility aside: Clowning and the scholarly context’, Ph.D thesis, Simon Fraser University, 2016.
• Laude, Patrick, Divine play, sacred laughter, and spiritual understanding (Springer, 2005).
• Lee, Sherry D., ‘Modernist opera’s stigmatized subjects’, in Blake Howe et al eds., The Oxford Handbook of Music and Disability Studies (Oxford: Oxford University Press, 2015).
• Leeming, B, ‘”Big-Old Long Lips, Big-Old Jar Nose”: Ancient Mesoamerican monsters and clowns and the transformation of Christianity in early colonial Mexico’, Ancient Mesoamerica (2020), pp. 1-14.
• Lewis, Ben, Hammer and tickle: A history of communism told through communist jokes (Hachette UK, 2011).
• Li, Henry Siling, ‘Seriously playful: The uses of networked spoof videos in China’, Ph.D thesis, Queensland University of Technology, 2012.
• Lieber, Maria & Gesine Seymer, ‘Italienisches im englischen Wortschatz des vor-Elisabethanischen Zeitalters’, in Claudia Lange, Beatrix Weber & Göran Wolf eds., Communicative Space: Variation, Contact, and Change (Frankfurt: Peter Lang, 2012), pp. 297-329.
• Lipovetsky, Mark, ‘Trickster Theory’, Зборник Матице српске за славистику, issue 100 (2021) pp. 305–339.
• Lipovetsky, Mark, Charms of Cynical Reason: Trickster in Soviet and Post-Soviet Culture (Boston: Academic Studies Press, 2011).
• Lodge, Martin, ‘Accounting for Blind Spots’, in T. Bach & K. Wegrich eds., The Blind Spots of Public Bureaucracy and the Politics of Non-Coordination (Palgrave Macmillan, 2019), pp. 29-48.
• Loera, Stephanie, ‘The Humorist Void: The clown’s balancing act throughout history’, History in the Making: Journal of History, California State University, San Bernardino, 1 (2008).
• Lushchenko, Marina, ‘L’image de l’Asie Mineure et des Turcs dans les textes narratifs du Moyen Âge français (XIIe-milieu du XVe siècle)’, PhD thesis, University of British Columbia, 2011.
• Lynn, Richard John, ‘The Modern Chinese Word For Humour: Huaji and Its Antecedents in the Zhuangzi and Other Early Texts’, in Laughter in Eastern and Western Philosophies, Günter Wohlfart and Hans-Georg Moeller (eds) (Munich: Karl Alber, 2010), pp. 60-73.
• Macleod, Hamish & Jen Ross,‘Structure, Authority and Other Noncepts: Teaching in Foolish Spaces’, in Digital Difference: Perspectives on Online Learning (Rotterdam: Sense Publishers, 2011), pp. 15-28.
• Maes, Rik & Erik J. DeVries, ‘Information Leadership: The CIO as orchestrator and equilibrist’, in Proceedings of the International Conference on Information Systems, December 2008, Paris.
• Malita-Król, Joanna, Anna Kuchta, Marta Blaszkowska & Renate Iwicka, Trickster i inne postaci ambiwalentne w najnowszej popkulturze (AT Wydawnictwo, 2017).
• Marsh, Sheila, The feminine in management consulting: Power, emotion and values in consulting interactions (Springer, 2008).
• Martin, Vanessa,’The Jester and the Shadow of God: Nasir al-Din Shah and his fools’, Iranian Studies, 40:4 (2007), pp. 467-481.
• Mazzetto, Elena, ‘Entertainment and symbolic functions of dwarfs and hunchbacks in Mexica society’, Memoria americana, 29:1 (June 2021), pp. 27-53.
• McAllister, Margaret & Donna Lee Brien, ‘Illuminating nursing’s shadow side through a Jungian analysis of the film Fog in August’, Nursing Enquiry, 27:3 (March 2020).
• McDonald, Denise, ‘Examining scholarly identity through auto-fiction: A court jester’s tale’, Tamara Journal of Critical Organisation Inquiry, 14:1 (2016), pp. 1-20.
• McDonell, Cecilia, ‘Bufonería y melancolía en tiempos descoyuntados. Un estudio de Como gustéis de W. Shakespeare’, Anacronismo e irrupción, 12:23 (2022), pp. 99-124.
• McKeague, Matthew, ‘Lyrical lessons: The potential of informative comedy music as supplementary teaching material’, European Journal of Humour Research, 6:3 (November 2018), pp. 30-49.
• McKeague, Matthew, ‘The accordion is mightier than the sword: analysing the comedy music counterculture expressed through the works of ‘Weird Al’Yankovic’, Comedy Studie,s 9:2 (2018), pp. 138-149.
• Mellado, Claudia, and Alfred Hermida, ‘The Journalist on Social Media: Mapping the Promoter, Celebrity and Joker Roles on Twitter and Instagram’, Digital Journalism (2022), pp. 1-22.
• Meyrer, Karin P., ‘Would you like a balloon? An analysis of the clown in Stephen King’s “It”‘, Letras Escreve, 8:3 (2018), pp. 239-252.
• Middleton, Alison, ‘Πολὺν Γέλων: Laughter, Humour & Greek Tragedy’, PhD thesis, University of Oxford, 2022.
• Milner Davis, Jessica, ‘Humour and its cultural context: Introduction and overview’, 2013.
• Milner Davis, Jessica, ‘The Fool and the Path to Spiritual Insight’, in Hans Geybels and Walther van Herck (eds), Humour and Religion: Challenges and Ambiguity (New York: Continuum Publishing, 2013), pp. 218-247.
• Minio-Paluello, Maria-Luisa. Jesters and Devils: Florence-San Giovanni 1514 (2009).
• Morreall, John, Comic relief: A comprehensive philosophy of humor (John Wiley & Sons, 2011), vol. 27.
• Mudge, Peter, ‘Jesus the Wise Fool: Some possibilities for religious education’, Journal of Religious Education, 51:1 (2003).
• Murphy, Peter F., ‘Living by His Wits: The buffoon and male survival’, Signs: Journal of Women in Culture and Society, 31:4 (2006), pp. 1125-1142.
• Ölçer Özünel, Evrim, ‘Hoca Nasrettin, kahraman mi anti-kahraman mi, hilebaz mi, bilge mi?’ (‘Hodja Nasrettin: Is he a hero or an anti-hero, a trickster or a wise man?’), Millî Folklor, 20:78 (2008), pp. 22-27.
• Ongen, O. & T. Dalkilic, ‘Hedwigve Angry Inch oyunundaki ‘Hedwig’karakterinin soytarı kavramı açısındanincelenmesi’, Konservatoryum – Conservatorium, 9:1 (2022), pp. 25-44.
• Oring, Elliott, Joking asides: The theory, analysis, and aesthetics of humor (University Press of Colorado, 2016).
• Oring, Elliott, ‘Risky Business: Political Jokes under Repressive Regimes’, Western Folklore, 63:3 (2004), pp. 209–36.
• Österlund-Pötzsch, Susanne, ‘Streetsmart som folkkulturell företeelse & (infra)ordinär kunskap’ (‘Streetsmart in popular culture and as (infra)ordinary knowledge’), May 2021, ResearchGate.
• Otazo, Karen, ‘Preventing and curing hubris in leaders’, in The leadership hubris epidemic: Biological roots and strategies for prevention (Palgrave Macmillan, 2018), pp. 193-221.
• Padilla, María Cecilia, ‘La acción como clave de la politicidad de la tragedia: fortuna y suicidio en Hamlet y Julio César de William Shakespeare’, Master’s thesis, Universidad Nacional de San Martín, 2021.
• Palmer-Mehta, Valerie, ‘The Wisdom of Folly: Disrupting Masculinity in King of the Hill’, Text and Performance Quarterly, 26:2 (April 2006), pp. 181-198.
• Pamment, Claire, ‘Brahmin Jesters and Sufi Wise Fools’, in Comic Performance in Pakistan, Palgrave Studies in Comedy (London: Palgrave Macmillan, 2017), pp. 69-103.
• Pandey, Janak, Nature and Dynamics of Social Influence: Interpersonal and Organizational Contexts (Springer Nature, 2022).
• Parsons, Ben, ‘Trouble at the Mill: Madness, merrymaking, and milling’, The Chaucer Review, 53:1 (2018), pp. 3–35.
• Payne, Rodger A., ‘Teaching politics through film: the role of comedy’, paper presented at the Annual Meeting of the International Studies Association, New Orleans, 17-20 February 2010.
• Pereira, Marcelo de Andrade, ‘Performance e Educação: configurações parateatrais da docência’, Educação (UFSM), 39:3 (November 2014), pp. 505-14.
• Pietikäinen, Petteri, Madness: A history (Routledge, 2015).
• Pinto, Isabel, ‘The disturbing voice of the lower class: from eighteenth century “Gracioso” to punk rock’, in Keep It Simple, Make It Fast! An approach to underground music scenes, Paula Guerra and Tania Moreira eds., (Porto: University of Porto, Faculty of Arts and Humanities, 2015), vol. 1, pp. 483-94.
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