16th century, 17th century, bibliography, book chapter, Europe, Germany, Netherlands, painting, print, research, woodcut
Kenneth Craig’s excellent paper takes a sweeping look at examples of fool-peeping-through-fingers paintings and prints, as presented in our Five Guys Named Moe series. Like Cavalli-Björkman’s earlier paper, but more comprehensively, it discusses the...
16th century, bibliography, Europe, journal paper, Netherlands, painting, research
Cavalli-Björkman, at the time curator at the National Museum in Stockholm, wrote this paper when the museum acquired the ‘Laughing Jester’, the first in our ‘Five Guys Named Moe’ series of fool-peeping-through-fingers paintings, this one also...
16th century, Europe, fictive fool, gallery, Netherlands, painting, primary source
The last in this series of paintings (for now, I keep stumbling across new ones) bears a striking resemblance to our mysterious Moe No. 4. This one, too, I found on an auction site. Said to be the work of the Master of 1537, who worked in Mechelen and whose name...
16th century, Europe, fictive fool, gallery, German, Germany, primary source, woodcut
The latest in our series of fools peeping through their fingers, this one is a woodcut by Heinrich Vogtherr the Younger (1513-68), dated to around 1540 and so slightly later than the preceding paintings on the same theme.  He has the cap and bells complete with ass...
16th century, bibliography, Europe, French, journal paper, Netherlands, research, Spain
Cécile Beuzelin’s paper presents two 16th century double portraits, one by Antonis Mor (1519-75) and one anonymous (but previously attributed to Frans Floris). Both feature the dwarf Estanilao who served Cardinal Antoine Perrenot de Granvelle (1517-86), a...
16th century, Europe, gallery, historical figure, Netherlands, painting, portrait, primary source
This is one of two double portraits featuring Estanilao, a dwarf who served in the household of Cardinal Antoine Perrenot de Granvelle (1517-86), a leading light in Hapsburg Europe. Â In this painting, the dwarf appears behind and beside what seems to be a...
16th century, Europe, gallery, historical figure, Netherlands, painting, portrait, primary source, Spain
Europe stands out for the range and number of representations of fools and dwarfs in art, particularly during the late Middle Ages and into the Renaissance. There seems to have been an enduring fascination for both minds and bodies differently cast; dwarfs were...
16th century, 17th century, bibliography, Europe, Germany, journal paper, research
This short paper describes and reflects on an intriguing German engraving (c. 1600) by an unknown artist, which features a Large Head of a Jester and an inscription beneath.Wearing a traditional jester’s cap, complete with coxcomb and bells, and various badges,...
