17th century, England, Europe, fooleum, historical figure, painting, portrait, primary source, Stuart
Thomas (or Tom) Killigrew (1612-83) was an actor, theatre manager and acknowledged jester to Charles II (r. 1660-85) – there is a reference in the court accounts to payments made to him for lengths of rather sumptuous cloths such as velvet and damask, explicitly...
13th century, Europe, historical figure, Latin, primary source, quotes
The church had a complex relationship with fools; some priests or monks occasionally or regularly took on the fool’s role, and that is discounting the whole universe of ‘holy fools’. In addition, there were cardinals and popes who had their own court...
17th century, England, English, Europe, fooleum, painting, primary source, Stuart
This early 17th century painting of two jesters and a marotte (fool’s head bauble or stick) taps into the theme of ‘Who’s the missing fool?’ in which an image posed a visual quandary. The painting is entitled ‘We three...
16th century, Europe, historical figure, Italian, Italy, primary source, quotes, stories
​The Italian dwarf-jester Antonio da Trento, who went by the nick-name of Nanino (Little Dwarf), served Francesco II Gonzaga, Marquis of Mantua (1466-1519), by whom he was on one occasion threatened with irons and manacles if he did not control his mockery. His...
17th century, dramatic character, England, English, Europe, play, primary source, quotes, Tudor
Babulo, whose name has an echo of babbling, is the clown servant of Grissell’s father. Â The marquis isn’t upset by his lack of grovelling genuflection, and invites him to live at court, but Babulo is (again) unimpressed, and roundly expresses his career...
16th century, drawing, Europe, fooleum, Latin, Netherlands, primary source
​This pen and ink sketch in the margins of an early copy of Erasmus’ Praise of Folly is one of 82 done by Hans Holbein (1497/98-1543) and his elder brother Ambrosius. In this drawing, the self-appointed goddess Folly, having given a sermon of brazen...
16th century, dramatic character, Europe, German, play, primary source, quotes
A German verse by the Swiss writer Pamphilus Gengenbach (1480-1525) affirms that in the 16th century, the fool enjoyed a strong presence on stage, since scarce any play could open without one: There’s scarce a play that can begin Without the fool who steps right...
16th century, dramatic character, Europe, France, French, play, primary source, quotes
The sottie was a form of French satirical drama from the 15th and 16th centuries, until they were banned. Their characters were allegorical without individual names and they were a channel for criticising the government. The Farce Morale de Troys Pelerins et Malice...
