19th century, England, Europe, gallery, primary source, print
This hand-coloured aquatint dates from 1813 and illustrates a custom connected with Plough Stots, a form of traditional sword-dance from Yorkshire.  The core group of six dancers are accompanied by other characters, including a fool. According to the Science...
16th century, Europe, gallery, Netherlands, primary source, tapestry
This lively 16th century tapestry includes a jester – capering or leaping – in full fool’s outfit. In addition to the cap and bells, he has bells around the bottom of his tunic and in leg bands like a Morris dancer. He is also waving a marotte...
19th century, Afghanistan, gallery, historical figure, painting, primary source, quotes, watercolour
This watercolour was done by Vigne who travelled with a Lohani caravan between Multan and Kabul in the 1830s. Although the sketch is titled ‘Fool’, we know nothing more as he doesn’t mention anything related in his travel account.Who was this...
16th century, 17th century, bibliography, book chapter, Europe, Germany, Netherlands, painting, print, research, woodcut
Kenneth Craig’s excellent paper takes a sweeping look at examples of fool-peeping-through-fingers paintings and prints, as presented in our Five Guys Named Moe series. Like Cavalli-Björkman’s earlier paper, but more comprehensively, it discusses the...
16th century, carving, Europe, gallery, Germany
How about this for serendipity: strolling around the V&A, I couldn’t believe my eyes when they spotted this drop-dead gorgeous towel-holder. Carved, painted and gilded oak, it was made in Northern Germany and the museum dates it to c. 1520-25. This would...
16th century, bibliography, Europe, journal paper, Netherlands, painting, research
Cavalli-Björkman, at the time curator at the National Museum in Stockholm, wrote this paper when the museum acquired the ‘Laughing Jester’, the first in our ‘Five Guys Named Moe’ series of fool-peeping-through-fingers paintings, this one also...
17th century, Europe, gallery, Germany
It is unlikely that historical jesters wore the stock costume of ‘cap and bells’ so visible in medieval and some later iconography, and so prevalent in the Western conception of the court jester. Â So I was delighted and intrigued to spot this 17th century...
16th century, Europe, fictive fool, gallery, Netherlands, painting, primary source
The last in this series of paintings (for now, I keep stumbling across new ones) bears a striking resemblance to our mysterious Moe No. 4. This one, too, I found on an auction site. Said to be the work of the Master of 1537, who worked in Mechelen and whose name...
