16th century, dramatic character, Europe, France, French, play, primary source, quotes
The sottie was a genre of short, satirical play performed in France in the 15th and 16th centuries. Its name comes from ‘sot’ meaning ‘fool’, as many of the characters were one or another kind of fool. The plays could draw attention to...
16th century, dramatic character, Europe, German, Germany, play, primary source, quotes
This is from a 16th century German comic play featuring a jester who mocks the real fool of the story, the visiting doctor. The doctor is learned but condescending to his friend, the jester’s master, and disparaging about life in the country even though he is...
16th century, 17th century, bibliography, book chapter, engraving, Europe, fooleum, Germany, Netherlands, painting, print, research, woodcut
Kenneth Craig’s excellent paper takes a sweeping look at examples of fool-peeping-through-fingers paintings and prints, as presented in our Five Guys Named Moe series. Like Cavalli-Björkman’s earlier paper, but more comprehensively, it discusses the...
16th century, carving, Europe, fooleum, Germany
How about this for serendipity: strolling around the V&A, I couldn’t believe my eyes when they spotted this drop-dead gorgeous towel-holder. Carved, painted and gilded oak, it was made in Northern Germany and the museum dates it to c. 1520-25. This would...
16th century, bibliography, Europe, fooleum, journal paper, Netherlands, painting, research
Cavalli-Björkman, at the time curator at the National Museum in Stockholm, wrote this paper when the museum acquired the ‘Laughing Jester’, the first in our ‘Five Guys Named Moe’ series of fool-peeping-through-fingers paintings, this one also...
16th century, England, English, Europe, historical figure, primary source, quotes
A curious account of Elizabeth I’s love of jesters. Notable is the fact that she didn’t like to have dwarfs or jesters with physical disabilities, particularly as this was still within the period in Europe when many courts had dwarfs and others of...
16th century, Europe, fictive fool, fooleum, Netherlands, painting, primary source
The last in this series of paintings (for now, I keep stumbling across new ones) bears a striking resemblance to our mysterious Moe No. 4. This one, too, I found on an auction site. Said to be the work of the Master of 1537, who worked in Mechelen and whose name...
16th century, Europe, fictive fool, fooleum, German, Germany, primary source, woodcut
The latest in our series of fools peeping through their fingers, this one is a woodcut by Heinrich Vogtherr the Younger (1513-68), dated to around 1540 and so slightly later than the preceding paintings on the same theme.  He has the cap and bells complete with ass...
